![]() This can impact the depth of understanding of the harmonic and melodic minors and why some of the sharps or flats are placed in the key signature and others as accidentals. If developing an understanding of the natural minor is omitted from teaching, many students fail to properly grasp this basic relationship between the major and the relative minor. In fact for pianists this is particularly straightforward, as the natural minors starting on A, E and D all have the same fingering as C major. This is very easily demonstrated on the piano, where you can physically see the tones and semitones in a way that is more difficult on a wind or string instrument. Natural minor scales clearly illustrate how a minor scale is related to its relative major, how different modes can be derived from one diatonic system by taking the same key signature and starting on different degrees.
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